Home / For Brands
Influencer marketing for brands
Casting you
can argue for.
You brief us once. We come back with a shortlist, the reasoning behind every name on it, and a number. Nothing gets booked until your team says yes.
Reply within 24h · No obligation · Bucharest, Romania
Always.
The decision
Three ways to run this.
One of them scales.
Most brands land on influencer marketing through an agency, a freelancer network, or by absorbing it into an already busy in-house team. Here is what each actually costs you in practice.
Outsourced to a casting partner
Your marketing manager, between other work
Scored against your brief before you see a name
A deck at the start, a report at the end
Whatever fits in the spreadsheet
A live workspace, open from day one
Marked up, rarely itemised
Negotiated one by one, every time
Itemised, visible, benchmarked
A separate vendor and a separate invoice
Whatever the creator hands over
Our studio, briefed from the same document
A third party, briefed separately
Boosted posts, if anyone has time
Planned with the creative, not after it
A PDF someone has to find
Memory
Every result from the last one
The agency and in-house columns describe the patterns we see when brands move to us. Yours may run better than this.
The pipeline
One brief.
Five moving parts.
A traditional influencer campaign ends when the post goes live. Ours starts there, and the reporting keeps running underneath it.
You tell us what you sell and who you want reaching. We shortlist creators for approval.
Fees, usage windows and exclusivity agreed and signed before filming starts.
Creators film, our studio edits and masters the cuts for every platform.
Media budget pushes the content past organic reach from the first day live.
Spend, reach and deliverables update in your dashboard as the campaign runs.
The roster
You are not sourcing
from a database.
Every creator we cast is already contracted with us, already briefed on how we work, and already delivering. That is why a campaign starts in days instead of weeks of outreach.
01Beauty & skincare02Fashion03Food & drink04Fitness05Consumer tech
Named creators, their audience data and their rates are shared on the call, under NDA.
Not scraped.
Production
Creators film it.
We finish it.
Creators shoot the raw material on their own phones, where their audience expects to see them. Our studio handles the rest: editing, colour, captions and a master cut for every platform the campaign runs on. When a product needs a controlled hero frame, we shoot that too.
Paid amplification
Good content
still needs a push.
Every platform's algorithm already does the audience work. What it cannot do is invent the angle that makes someone stop scrolling. That is a production problem, which is why we run the media and the filming from the same brief. When a hook starts to tire, the replacement is filmed the same week rather than next quarter.
On numbers: we do not publish blanket performance claims on a website. Ask on the call and we will walk through real accounts, including the ones that took months to turn.
Creative led testing structures rather than endless audience splits.
Native first cuts that read as content in the feed, boosted where it makes sense.
Long form and Shorts, cut from the same session the creator already filmed.
Display and connected TV for reach and retargeting beyond the walled gardens.
Engagement models
Three ways
to start.
Scopes are shaped in the first call. What follows describes how we structure the work, not a price list.
Model 01
Single campaign
One drop that needs to reach real audiences quickly, without you sourcing a single creator yourself.
- Scope
- One campaign, a small cast, the channels that fit it
- Delivers
- Casting, contracts, production and paid amplification
Model 02
Always on program
For the channel that cannot go quiet. A rotating roster producing continuously instead of one off drops.
- Scope
- Monthly creator volume, agreed up front, reviewed quarterly
- Delivers
- A rolling calendar, fresh creators, a compounding library
Model 03
Full creator system
Casting, production, paid media and reporting. One contract, one team, one place to look.
- Scope
- Creator program, paid media and reporting together
- Why
- What performs on Monday is recast Wednesday and live Friday
Questions
Before you
book the call.
Days rather than weeks, because the roster is already contracted and briefed. Casting and contracting take the first stretch, filming follows quickly after. The honest answer is that it depends on how fast approvals come back from your side, which is usually the real bottleneck. We give you a dated plan on the call.
Yes. We shortlist from our roster against your brief, and you approve who is cast before anything is confirmed or paid. Every name carries the reason it made the list, and we will tell you why someone did not.
You do. Usage windows and whitelisting rights are written into the brief before filming rather than negotiated after delivery, so you know exactly what you can reuse, where, and for how long.
No. We will happily run a campaign against assets you already own. Most of the advantage comes from being able to shoot a replacement the same week something stops working, so brands that use both tend to move faster. It is not a condition.
It depends on the cast and the volume, so we do not publish a price list that would be wrong for most people. Creator fees are itemised rather than marked up quietly, and you see what each one costs. Tell us what you sell and roughly what you want to spend, and we come back with a plan and a number.
you sell
We will come back with the creators we would cast, what we would do with them, and what it costs.
Reply within 24h · No obligation · Bucharest, Romania